Kungliga operan norma

  • kungliga operan norma
  • Norma kungliga operan
  • Kungliga operan nytt

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    Norma

    En kärlekshistoria i fritt fall

    »Här föds en superstjärna«
    »Efteråt kommer man att säga: jag var där«

    Expressen

    »Enastående systerligt samspel i hudnära drama«

    Svenska Dagbladet

    »Norma är ett tidlöst operadrama med bett«

    Dagens Nyheter

    Norma på Folkoperan – blir helt absorberad

    Arkiverad föreställning

    Teaterregissören Eirik Stubø gör Sverigedebut som operaregissör med Bellinis Norma – ett avoperalitteraturens starkaste triangeldramer. En djuplodad personregi, orkestermusik som spelas på tidstrogna instrument och nya sätt för sångarna att ta sig an Bel canto-traditionen gör uppsättningen till något utöver det vanliga.

    Vincenzo Bellinis opera Norma från är juvelen i den italienska Bel canto-tradition som förknippas med vacker klang och teknisk sångskicklighet. Arian Casta Diva ur Norma har blivit känd för att vara ett eldprov för sopraner och blev ikonisk då operasångerskan Maria Callas tog sig an den på –talet.

    Eirik Stubøs uppsättningar präglas av noggrann, minimalistisk och djuplodad personregi och i hans tolkning av Bellinis Norma kommer vi in under huden på Norma och hennes dilemma. Det starka Medealiknande triang

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    Norma (opera)

    Opera bygd Vincenzo Bellini

    Norma

    Domenico Donzelli, Giuditta Pasta,
    and Giulia Grisi (original cast)

    LibrettistFelice Romani
    LanguageItalian
    Based onAlexandre Soumet's play Norma, ou L'infanticide
    Premiere

    Norma (Italian:[ˈnɔrma]) fryst vatten a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto bygd Felice Romani after the play Norma, ou L'infanticide (Norma, or The Infanticide) by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December

    The opera fryst vatten regarded as a leading example of the bel canto genre, and the soprano bön "Casta diva" in Act 1 fryst vatten a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé.

    Composition history

    [edit]

    Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for Decembe

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    Norma

    Tragedia lirica in two acts ()

    Music from Vincenzo Bellini
    Text from Felice Romani

    Tickets

    The will to resist the Roman occupiers is growing among the Galls, and Norma should finally give the sign for an uprising against the oppressor in the name of the god of war. But she hesitates due to a conflict of conscience: despite her vow of chastity, Norma has two children, hidden from the public, fathered by the Roman Pollione. When she finds out that Pollione loves the novice Adalgisa and wants to run away with her, her situation seems hopeless. If she reveals her double life, she risks not only her own standing, but that of her children as well.

    Vincenzo Bellini’s opera, which premiered in , is considered the epitome of bel canto, but it offers a great deal more than just “beautiful singing.” Richard Wagner already acknowledged that the amazing dramatic music is a portrait of the protagonist’s soul. In his interpretation, Vasily Barkhatov underscores Norma’s sense of being torn between her public role and her personal feelings against the backdrop of a political revolution.

    Dates

    PremiereFesttage

    Language: In Italian language with German and English su

  • kungliga operan norma